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Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

A Tribute to Kurt Cobain

Well, it's not the anniversary of his tragic death or his birthday, but even still we decided today to pay tribute today to one of the most important influences on popular culture in the late 20th century. Cobain's band Nirvana, along with Soundgarden and Alice in Chains exploded onto the music scene during the early 90's - together the Seattle sound that they had collectively developed was referred to as Grunge.


This is "Grunge"

This all happened very quickly - Nirvana released their first album in 1989 and the second album made them international superstars by 1991. On April 5th, 1994 Kurt Cobain died. Essentially, Cobain had helped to pioneer a new genre of rock and create an enormous portfolio of innovative music in just a four year period.

Nirvana's take on the David Bowie classic
I was looking for something a lot heavier, yet melodic at the same time. Something different from heavy metal, a different attitude. - Kurt Cobain 
Kurt Cobain, troubled genuis

One of the earliest memories of one of contributors to this blog was the rock traumas of 1970 - these were remembered collectively as they were seen through the eyes of our elders at the time. Janis Joplin, Jim Morris, Jimi Hendrix - all dead in the same year. And then to top it off, the Beatles split up. These superstars of rock defined that generation and when they passed into history people recognized the significance immediately. 


Unfortunately he did have a gun...

Sad to say we didn't originally note the passing of Kurt Cobain the same way - he was a contemporary of ours but was introducing a form of music that we weren't too familiar with and hadn't adopted yet (that took a number of more years to fully appreciate). We didn't know too much about him beyond having seen him on Saturday Night Live. On top of that, things were busy then and the only music we listened to was on the radio going back and forth between places - this was mostly pre-Internet times (yes, they did exist).


Nirvana on SNL

So what made Curt Cobain and Nirvana so special? Well, there's always the 'star as martyr' or James Dean syndrome, but the difference here is that while James Dean only starred in three movies before entering pop immortality, Cobain created several dozen songs and redefined alternative music for the next twenty years.


As the years passed after his death, we began to listen to more and more of what Nirvana had produced over that incredibly short span of time. And because of that we began listening to Soundgarden, Alice in Chains and Pearl Jam and together it seemed to us that this music more than anything else began to define the 1990's. Why it did is harder to explain - it's not just because that was the music which we heard playing at the time - it was because there seemed to be certain air of cynicism and depression associated with the 90's - and Grunge captured that sentiment. Why the 90's became an age of uncertainty could be attributed to the fact that the decade began with a Recession and a War - the first major American war since Vietnam. Or maybe there was a general sense of pessimism as the juggernaut of Globalism became the driving force in both the domestic and the global economy. The 1990's saw the partial retirement of the doomsday clock but introduced us to an even worse threat - Global Warming.

In the middle of this were a handful of seemingly awkward, troubled musicians who reintroduced rebellion and rejection of the status quo. Their's wasn't a happy message - but it seemed to be a true one. Yet their ability to channel that negativity lead to some of the brightest Grunge stars dying in self-destructive fits of misdirected rage. It reminds us a bit of 1970.

"I bought a gun and chose drugs instead."  Kurt Cobain 



One can only imagine how much music Kurt Cobain could have made if he had been given 20 years instead of 4 to express himself...



Copyright 2012 - Raving Reviews - All Rights Reserved

Parabolic Activity – Apollo 18

So, we actually decided to watch cable last night and came across a relatively recent film that we had wanted to see yet somehow managed not to (at the theatre). Of course, we’re getting to the cinema more often these days as they’ve figured out how to make the world’s best (and messiest) funnel cakes there – but we digress. The film we’re reviewing today is Apollo 18, otherwise known as “How to go to the Moon without anyone really knowing about it.”


The moon - it's rocky, cold and filled with pesky spiders

Apollo 18 is a found footage movie – which is code for they were too cheap to hire a cinematographer. Of course, we were somewhat perplexed as to how most of the footage could have been found considering most of the film blew up with the hapless astronauts who obviously needed more practice with orbital docking – but we’ll get to that later.

The movie begins with an interesting premise – namely that it seemed odd that the Apollo program was cancelled before sending the last three scheduled missions. All rockets had already been built and delivered – if you ever happen to drive south on I-65 through Huntsville AL, you can see one of them at the rest stop there. So, with that rocket we’ve accounted for one cancelled mission anyway – an ignoble end to America’s most powerful rocket ever built. Why did Nixon cancel the Apollo program – the movie suggests a partial explanation in that Apollo 18 was used for a secret DoD mission. We have a few theories of our own as to why Nixon cancelled the program:
  • He wanted to use the Apollo rockets to spy on the Democratic National Committee
  • He wanted to use the rockets to drop bombs really, really fast on North Vietnam (catch them before they can move).
  • He wanted to send hippies like John Lennon into lunar exile.
  • He wanted to find new sources of minerals in order to bring back the gold standard.
  • He wanted to use them as really large fireworks to impress the Chinese.
Perhaps we may never really know why he did it. But in the movie the idea goes something like this – the Ruskies (AKA Soviet Union) have managed to send up their own lunar mission which runs into some sort of strange phenomena and the US sends a team of sacrificial spacemen to film whatever is happening up there.


The moon is spooky enough w/o having Bjork associated with it…

Once on the moon, it’s poltergeist meets Apollo 13. We’ve got these weird moon critters who apparently have their own radio transmitters because they’re always on there making funny noises, we’ve got flying rocks which like to jump into spacesuits and our hero astronauts dropping things and generally trying to scare each other a lot. Funny, they forgot to bring the jumping cat with them and of course there is no attic or basement to go into so basically it’s all scary. Anyway, we view the movie as a a sort of training exercise of what not to do on moon missions.

The top 10 list of things not to do on the moon:
  1. Agree to go on secret moon missions.
  2. Drive a lunar rover without seat belts.
  3. Listen to Space Oddity, Rocketman, Major Tom or anything by David Bowie / Ziggy Stardust while on the moon or in space.
  4. Collect moon rocks that move on their own or otherwise seem to be alive.
  5. Go down into a deep dark crater without a flashlight
  6. Stand next to a deep dark moon crater (with your back turned towards it).
  7. Bunk next to a guy who just said he had something crawling inside his helmet while he was moon-walking (and we don’t mean the Michael Jackson kind of moon walking).
  8. Open the lunar module and let in the guy with visible moon spiders crawling in his helmet.
  9. Follow mysterious footprints on the moon (in a place where no man has walked before).
  10. Try to rendezvous two spacecraft traveling at 12,000 miles an hour in orbit without using the brakes.

So now we’ve discovered where the moon spiders came from…

We think these are great moon safety tips and are truly thankful to Apollo 18 for pointing them out. We had blast watching this – it was far out – the finale was explosive – cheap pun alert…

Life on Mars

One minute it's 2008 or 6 or maybe 2011, next thing you know its 1973 or 1972. Well, it gets a bit confusing - there were two shows, one on the BBC and one in the US on ABC. This review will cover the US series, although it is worth noting that there was a pilot version to the show that got scrapped (w/ the action taking place in L.A. instead of New York and with a largely different cast). We intend to do a review on the original (it took place first) BBC version later.

The first thing that struck us about Life on Mars was the attention to detail in trying to recreate a gritty big city atmosphere of the early 1970's. Some of us here are just old enough to sort of remember that and of course a period piece you can remember is quite different than a costume drama. We also were impressed with the cast and the premise of the show - we know it was borrowed but they still made it seem original (perhaps the 2nd try helped).



Life on Mars is named after the David Bowie song...

Life on Mars follows the rather bizarre circumstances of one Sam Tyler, a detective who while in the midst of trying to solve a case and save his girlfriend is hit by a car and wakes up in 1973. Somehow, Sam seems to have a purpose in 1973 - working in the same precinct as before as a new transfer - yet he spends the rest of the series trying to determine how and why he was transported back 35 years.

We liked the show and here's why:
  1. The lead actors were excellent: Jason O'Mara, Harvey Keitel, Gretchen Mol and that guy from the Sopranos really hit it off. It was fun watching them and observing their characters grow - unfortunately it only lasted for one season.
  2. We loved the music: Life on Mars scored much of their work to the best music from the early 1970's and you could tell they had fun doing it.
  3. We loved the writing: not everyone can write well and as many of you probably can tell some folks on today's top sitcoms can't write at all. It's always a pleasure to see clever and meaningful dialog on a consistent basis. And given the subject matter they had opportunities to dive into some interesting philosophical territory.



This is the real David Bowie from about 1973 - we still don't get the whole Ziggy Stardust thing - but the song was good enough to somehow inspire this show.

We were especially impressed with Gretchen Mol and Jason O'Mara, both of whom have incredible star potential but haven't quite made it to that point yet (not sure why). Jason will be starring in this Fall's most interesting new series "Terra Nova" which is being produced by Steven Spielberg and Star Trek's Brannon Braga (who will act as Showrunner). It's a real shame that these two didn't have more time to develop the emerging plot line that connected their characters in Life on Mars - given the show's premature cancellation a somewhat abrupt ending was put together to wrap up loose ends. Even still, the series as a whole is exiting, fresh and entertaining throughout.

We highly recommend it.


Copyright 2011, Raving Reviews