More Classic Than Classic

The other day someone asked me what my favorite movie of all time was, without hesitation I answered back “Blade Runner.” While I think Artificial Intelligence is a distant second, Blade Runner will likely continue to hold its first place ranking for the foreseeable future. So why do folks like me still obsess over this movie, after all it is now nearly 30 years old (that’s frightening to admit by the way as 1982 is the year I graduated High School)?

For me, this film represents everything that a movie can be – a synergy of art and entertainment, a visual banquet and a symphony. The story is simple, the characters are complex, the direction is flawless and the performances are memorable. This was the movie that introduced us to Edward James Olmos, Sean Young and Rutger Hauer; it gave Harrison Ford a depth that we hadn’t seen before. Blade Runner also provided us with what I still believe is the single best soundtrack in motion picture history, scored and performed by Vangelis. The soundtrack was so powerful that it literally became one with movie, narrating it in emotional overtones which transcended the music. I still listen to that soundtrack to this day and it never, ever gets old.


Both the music of Blade Runner & Sean Young were beyond compare...

Blade Runner sets a mood, builds its own universe and then draws you in bit by bit. Even though it is Science Fiction, it felt like a combination of reality + film noir. There are some scenes that simply stood out for being visually unforgettable. One example that comes to mind is where Dr. Tyrell opens the patio of his penthouse suite and we see the sun streaming in to fill the luxurious surroundings. Director Ridley Scott used a variation of the same scene nearly 20 years later when filming Gladiator. Between Ridley and his brother Tony, the brothers Scott have directed or produced the majority of my top ten film favorites of all-time. These guys instinctively understand cinema, what works, what looks good, what compels us to experience movies rather than merely watch them.

The story told in Blade Runner also plays an important role in making it a classic. Like the Matrix, Blade Runner tackles a fundamental philosophical paradox and makes us question what is humanity; what does it mean to be human, to be real. And it confronts this dilemma without ever referring it directly. In other words, it makes us think and read between the lines to grasp the full scope of what is actually unfolding before us. This is not to say that the Scott brothers don’t know how to employ action, they surely do; but they prefer the Mozart version over say Jerry Bruckheimer’s Salieri. In a Scott film, action can and does further the plot without turning it into roadkill. And the parting message of the film is as true today as it ever was, the final truth about one’s humanity is usually most apparent when we are closest to losing it.

The performances in Blade Runner were nothing short of iconic. From Leo, to Joanna Cassidy’s Snake Dancer, to the Eye Doctor to J.F. Sebastian and the intellectually cruel Dr. Tyrell – the characters simply came alive. Sean Young really stole the show though – her picture even ended up on the Vangelis “Themes” soundtrack cover. She took the film noir replicant temptress and made her believable – both vulnerable and passionate, one of the great female leads of all time. In this movie she harnessed Marilyn Monroe level star power, it’s too bad Hollywood never gave her chance to repeat this type of performance.


Here are some interesting deleted scenes from Blade Runner

At the Tyrell Corporation, we have a slogan; “More Human than Human.” Even the dialog from Blade Runner has become iconic, with White Zombie turning this line into what is now a classic hard rock song in the 1990’s. I don’t think anyone ever could or perhaps ever should make a sequel to this movie – it is almost inevitable that fans of the original would be disappointed.

A true classic can stand the test of time all on its own.



Copyright 2011, Raving Reviews™